【Vocaloid Composer】れるりり (rerulili)


れるりり (rerulili) is a very new composer in the Vocaloid scene, with only three original songs posted on niconico, where the first one, いつもより泣き虫な空 (Itsumo yori Nakimushi na Sora/A Sky Who’s Being a Bigger Crybaby Than Usual), was posted in September 2009. However, his first song is of extremely high quality, and is one of the best examples of Vocaloid vocal tuning done right. rerulili is also known as 当社比P (ToushahiP/”Compared to this company’s older products”P) since in the description for NakiSora, he wrote that it was 「初音ミク至高のバラード(当社比)です。」/”This is a Hatsune Miku Surpreme Ballad (compared to this company’s older products)”. His videos are also sometimes tagged with 至高の人 (Shikou no Hito/The Surpreme Person) in reference to that line. rerulili resides in Tokyo, Japan, used to be the bassist for a band called LaBluzu (PV on Youtube), and mainly records songs with a live piano, guitar, and bass, and a synthesized drum. “rerulili” is his own romanization for his username.

rerulili’s quite versatile, as he tackles different genres with each song he produces. So far, he has forayed into making a ballad (いつもより泣き虫な空/NakiSora), Funk (なんで?/Nande?), pop (朝が来て/Asa ga Kite), and many other genres are covered in the songs currently posted exclusively at Piapro. His work also has a pretty authentic sound when compared to other composers’ songs, and by that I mean that the intrumentals sound a little more natural and real, and this is mostly due to the fact that he actually uses real intruments, rather than synthesizing a whole “band” with midi like most one-man producers. (To be honest, though, the drums sounded pretty real to me, and I can’t usually tell the difference.) Most notable, however, is how he tunes the vocals for each Vocaloid. They all sound extremely natural and has little rigidity, if at all, and it’s this point that makes his work stand out the most, as he can even make the Kagamine twins sing naturally and flexibly, despite the fact that they are usually quite hard to properly tune. He seems to have a large repertoire of Vocaloid2 software, and has so far used all the ones from Crypton – Miku, Rin and Len, and Luka. In addition to letting Vocaloids sing his songs, he also does self covers where he quite skillfully sings them himself. I found his version of Asa ga Kite to be better than the original Miku version, and I hope that he does more covers of his own songs.

In addition to posting on niconico, he also posts new original songs quite frequently on Piapro, and he has more songs on there than on niconico, since he hopes to recruit artists to provide high quality artwork for all of his videos. He also starts project pages on Piapro enlisting help with drawing artwork and putting together videos for each of his songs. The ongoing one right now is for “JOY RIDE”.

Essential Works:
1. いつもより泣き虫な空 (Itsumo yori Nakimushi na Sora/A Sky Who’s Being a Bigger Crybaby Than Usual) niconico link / rerulili self cover niconico link **1st and Representative Work**
2. スカイペインター (Sky Painter) Piapro link
3. 朝が来て (Asa ga Kite/Morning Arrives) niconico link / rerulili self cover niconico link

Mylist: http://www.nicovideo.jp/mylist/16274546
Piapro: http://piapro.jp/rerulili
Blog: http://ameblo.jp/rerulili
Twitter: http://twitter.com/rerulili
Audioleaf: http://www.audioleaf.com/rerulili (Self-covers as a solo artist)

【Vocaloid Composer】buzzG


From the PV for AGAINST. (Image: meola)

buzzG is a Vocaloid composer who is pretty new to the scene, with his first niconico submission being from July 31, 2009. His best known works are AGAINST, Flashback, 赤い雨 (Akai Ame/Red Rain) and name of memory. His most popular work so far is AGAINST, a GUMI song with a PV done by artist meola, with 2,900+ Mylists. buzzG resides in Tokyo, Japan, and made his first song within only one month of learning how to use midi and Vocaloid.

buzzG composes mostly rock songs and occasionally ballads, and as a result his songs always have an electric guitar and bass playing significant parts. All his songs sound high quality since there’s a quite a lot of depth with all the intruments playing different parts at once, but is well arranged in that it doesn’t sound messy. The flow of his songs are usually relatively predictable, but don’t sound boring as there are enough twists, and the main melody isn’t repeated over and over. buzzG’s Vocaloid tuning is quite impeccable in that even his first work with Vocaloid is easy to listen to and don’t sound rigid and robotic. In AGAINST, his latest song, GUMI’s vocal tuning sounds so natural and well-done that a lot of commenters on niconico say that it sounds nearly human.

All in all, buzzG composes some consistently well-done songs with very good vocal tuning. Looking forward to hearing more works from him!

Essential Works:
1. AGAINST (niconico link)
2. LAST YEAR (niconico link) **First Work**
3. name of memory (niconico link)

Blog: http://buzzg.blog84.fc2.com/
Mylist: http://www.nicovideo.jp/mylist/13954828
Piapro: http://piapro.jp/buzzg
Twitter: http://twitter.com/buzz_g

【Vocaloid Composer】DATEKEN

Artwork drawn specially for Tsumugi Uta. Click to enlarge.(Illust: ホルダー@Piapro)

DATEKEN is a relatively well-known Vocaloid composer who submitted his first song onto niconico in October 2008, and prior to that he had experience in composing instrumental songs since 2005, which he uploaded onto his muzie account. DATEKEN’s most well-known song is 紡唄 -つむぎうた- (Tsumugi Uta/Spinning Song), which currently has over 11,000+ mylists and 190,000+ views. DATEKEN is actually a graduate student from Hokkaido and his hobbies include playing the piano, doing karate, and reciting poems.

DATEKEN uses only Kagamine Rin and Len to sing his songs, and at this point has not used any of the other Vocaloids yet. Each of his Vocaloid songs have a different genre assigned to them, ranging from ethnic (Jutenija), technopop (Ur-Style), R&B (イマジネイション/Imagination), and even waltz (schwarz waltz), which really show his high level of versatility as a composer. However, most of his songs generally belong to the electronic music genre, such as techno, trance, 2-step, and house. All his songs are extremely high quality, and give a really good representation of their respective genres. Song themes are really varied, which makes all of them impressionable and easy to remember, and the large majority of songs are quite catchy. His vocal tuning for the Kagamine twins are also impeccable, and in my opinion ranks among the best as they are consistently natural and easy to listen to. (Definitely not a small feat considering that Kagamine Rin and Len are among the harder Vocaloids to tune.) He also changes their voices according to the song, and as a result they always sound fitting and different. As a one-man composer, DATEKEN does everything himself: writes and arranges the song, writes the lyrics, and makes his own videos, which are usually well-subtitled and with a nice static layout and picture, the latter of which he borrows from royalty-free artists on Piapro.

In addition to composing Vocaloid songs, he has also composed intrumental tracks also to the theme of widely varying genres, and has also released a Touhou arrange doujin album called 当方暇軍団 under the circle name of 暇軍団. He creates songs with a keyboard controller for the most part.

All in all, super-good and incredible composer. Please listen to all his songs! I especially recommend his works if you want to explore different musical genres.

Essential Works:
1. 紡唄 -つむぎうた- + ENG Subs (Tsumugi Uta/Spinning Song) (niconico link)
2. Never! + ENG Subs (niconico link) **Especially Recommended**
3. なまえのないうた (Namae no Nai Uta/A Song without a Name) (niconico link)

Website: http://www14.plala.or.jp/dateken/
Mylist: http://www.nicovideo.jp/mylist/10109173
Piapro: http://piapro.jp/dateken
Twitter: http://twitter.com/dateken
muzie: http://www.muzie.co.jp/artist/a014791/
Blog: http://blog.livedoor.jp/vit_dat/
Youtube Playlist: http://www.youtube.com/view_play_list?p=896975BF8D8151E4&search_query=dateken
DATE tunes (digital album) page: http://piapro.jp/karent/?view=album&id=43